Review: The House that Slipped

L-R: Kas Darly (Julia), Sarah Finegan (Sandra), Michael Wagg (Kev) and Tasha Magigi (Yasmin)

Style: Virtual Futuristic drama
Where: Zoom

Rating: 3/5 stars

One day, the residents of 12 Labernum Drive find themselves 50 years in the future. One minute it’s April 2020 and lock down has been going about a month. The next thing they know they’re part of an agricultural Brockley unlike any they knew before.

There are really interesting ideas explored in The House that Slipped. The difference between the horror of now and an imagined idyllic future; The interplay of relationships between people forced to share space both under normal London conditions – i.e. houses split into flats and lockdown conditions – family forced to stay with each other under unnatural circumstances; and what it means to make life changing decisions as a group rather than an individual.

In some ways, perhaps there are too many of these questions and themes. The action can feel a little disjointed and the discussions with cast members seemed to end just as they got going. We got told aspects of the future and it was a tempting glimpse (and answers to our pre-show questionnaire were cleverly woven in) but it felt a little incomplete. What might work in a live action immersive – only seeing a portion of the show – feels less satisfying in this format.

There’s a lot to potentially develop in this show. The characters and their relationships to each other are interesting and – more drawn out – could have a lot of depth. I found Sandra (Sarah Finegan) particularly intriguing and Yasmin (Tasha Magigi) the most fun to spend time with, but that may be because the other 2020 characters were less sympathetic.

With the characters from 2070, these were less fleshed out as three dimensional beings and more plot points. They told of of the mistakes to come and made their own mistakes about our history in amusing and interesting ways.

Ultimately, there’s a great deal of potential in The House That Slipped, but it needs to perhaps make a decision about what it wants to do and be. Is it a futuristic parable? A relationship drama? A virtual escape room? At the moment it has elements of all of this but only scratches the surface of each leaving you with not quite enough of any one element. But if they tighten that up, there’s the potential for a very interesting show there.

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